Kathleen Maria Hausmann
Q & A
1. How did the idea of translating mathematical principles into artworks come about?
In mathematics, I discovered structures that are constant and timeless – an essence of sorts that describes the patterns of the universe. From this fascination arose the development of a visual language that translates these timeless structures and makes them perceptible.
2. How has your perception of mathematics and numbers changed since working on these visual representations?
For me, mathematics has come alive. While working on my pieces, I sometimes feel as if I am looking directly into the "clockwork of the universe," when fractal structures overlap or a fundamental rhythm emerges.
3. How do your works succeed in making the world of numbers visible and tangible?
Art is perceived differently than formulas. The visual level invites free, unrestricted observation – and often a sense of the theme has already emerged before logic is applied or analytical thinking comes into play.
4. What appeals to you about working with traditional tools and real gold leaf – in a time
when art can also be created digitally with a mouse click?
Of course, with digital programs I could create sketches or test scales more quickly – but it is precisely the slow process, the counting, and the repeated placement of the compass that leads me to places a quick click could never reach. Applying gold leaf is a wonderful process, and the tactile quality of the canvas as well as the vibrant glow of the precious metal cannot truly be reproduced by any art print. For me, the soul and quality of my work lies exactly in this authenticity, dedication, and craftsmanship.
5. Why do you offer both gold paint and gold leaf, and what are the differences?
I created my first series with gold paint – it radiates vibrancy and develops a subtle, natural patina effect over time. Later, I introduced gold leaf, which retains its characteristic shine permanently and lends my works both a symbolic and crafted value. This way I can meet different needs: gold paint for a more reduced investment, gold leaf for timeless brilliance.
6. Do you also create works in silver or with other leaf metals?
I work exclusively with gold leaf. It retains its incomparable color permanently. Other metals change over time – silver tarnishes, copper develops verdigris.
7. What is the best way to care for artworks with gold leaf or gold paint?
The artworks are easy to maintain. Gold leaf and gold paint are firmly bonded to the surface. For cleaning, simply dust them occasionally with the soft brush provided.
8. How long does it take to complete a work of art?
A large-format piece of 150 × 150 cm in gold leaf usually requires 90 to 110 hours, depending on the complexity of the underlying number system. The precise application of the gold leaf is particularly time-intensive. For the same format in gold paint, the working time is about 70 to 85 hours.
9. How much does a work cost – depending on format and technique?
Prices vary according to size and technique. For detailed information, you can view my price list as a PDF. Gold leaf works are available from €5,900, gold paint works from €2,500.
10. Where can your artworks be seen or purchased?
Studio visits are possible by appointment. My newsletter and website provide information on further opportunities.
11. Do you also accept commissions based on individual requests?
Yes, very gladly. Every commission begins with a wish – whether it concerns size, scaling, or choice of material. I then carefully examine whether this wish can be realized both technically and artistically.
12. What questions might your art answer?
Are there hidden laws behind chaos? Can the universe be described through recurring structures? Does the number system conceal its own architecture that can be made visible?
My works invite exploration of such possibilities.
13. What are you currently working on in your studio?
I am currently working on new series and sketches and look forward to soon introducing you to a new theme.
14. What themes would you like to explore in the future?
For me, mathematical themes are far from exhausted. But I am also fascinated by related fields: mandala-like patterns from planetary orbits, or the interplay of frequencies – as can also be seen in the works of Hans Jenny and Alexander Lauterwasser.